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The cultural industries / David Hesmondhalgh

By: Hesmondhalgh, DavidPublisher: Thousand Oaks, California : SAGE Publications, 2019Edition: 4th editionDescription: 540 p. : gráficos ; 25 cmISBN: 9781526424105 Subject(s): Industrias culturales
Contents:
PART ONE: INTRODUCING THE CULTURAL INDUSTRIES Chapter 1 Change and Continuity, Power and Creativity Chapter 2 The Cultural Industries Approach: Distinctive Features of Culture-Producing Businesses PART TWO: ANALYTICAL FRAMEWORKS Chapter 3 Theories of Culture, Theories of Cultural Production Chapter 4 Cultural Industries in the Twentieth Century: The Key Features Chapter 5 Why the Cultural Industries Began to Change in the 1980s PART THREE: POLICY CHANGE Chapter 6 Policy Change in Media and Telecommunications: Marketisation and Copyright Chapter 7 Cultural Policy: Creative Cities, Creative Industries, Creative Economies PART FOUR: CHANGE AND CONTINUITY IN THE CULTURAL INDUSTRIES, 1990-2017 Chapter 8 Ownership (1): Concentration, Conglomeration and Corporate Power, 1980-2010 Chapter 9 Ownership (2): Concentration, Conglomeration and Corporate Power, 2010 onwards Chapter 10 How the Claims of Digital Optimists were Contradicted by the Rise of Digital Culture Chapter 11 The Effects of Digital Networks on Individual Industries Chapter 12 Creativity, Commerce and Organisation Chapter 13 Working Conditions and Inequalities in the Cultural Industries Chapter 14 Internationalisation: Neither Globalisation nor Cultural Imperialism Chapter 15 Texts: Diversity, Quality and Social Justice Chapter 16 Conclusions: A New Era in Cultural Production? Glossary
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Item type Current location Collection Call number Status Date due Barcode Course reserves
Libro Libro Biblioteca Universidad Europea del Atlántico
Fondo General
No ficción 7.07 HES cul Available 4073

Producción e Industria Audiovisual

Estructura General de la Comunicación


PART ONE: INTRODUCING THE CULTURAL INDUSTRIES

Chapter 1 Change and Continuity, Power and Creativity


Chapter 2 The Cultural Industries Approach: Distinctive Features of Culture-Producing Businesses

PART TWO: ANALYTICAL FRAMEWORKS

Chapter 3 Theories of Culture, Theories of Cultural Production


Chapter 4 Cultural Industries in the Twentieth Century: The Key Features


Chapter 5 Why the Cultural Industries Began to Change in the 1980s

PART THREE: POLICY CHANGE

Chapter 6 Policy Change in Media and Telecommunications: Marketisation and Copyright


Chapter 7 Cultural Policy: Creative Cities, Creative Industries, Creative Economies

PART FOUR: CHANGE AND CONTINUITY IN THE CULTURAL INDUSTRIES, 1990-2017

Chapter 8 Ownership (1): Concentration, Conglomeration and Corporate Power, 1980-2010


Chapter 9 Ownership (2): Concentration, Conglomeration and Corporate Power, 2010 onwards


Chapter 10 How the Claims of Digital Optimists were Contradicted by the Rise of Digital Culture


Chapter 11 The Effects of Digital Networks on Individual Industries


Chapter 12 Creativity, Commerce and Organisation


Chapter 13 Working Conditions and Inequalities in the Cultural Industries


Chapter 14 Internationalisation: Neither Globalisation nor Cultural Imperialism


Chapter 15 Texts: Diversity, Quality and Social Justice


Chapter 16 Conclusions: A New Era in Cultural Production?


Glossary

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