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Handbook of music and emotion : theory, research, applications / [edited by] Patrik N. Juslin and John A. Sloboda [Texto impreso]

Contributor(s): Sloboda, John A [ed.] | Juslin, Patrik N [ed.]Original language: English Series: (Series in affective science)Publisher: Oxford : Oxford University Press, 2011Description: 975 p. : ill. ; 26 cmISBN: 0199604967; 978-0-19-960496-8Other title: Music and emotionSubject(s): Emociones | Música | Neurofisiología | Neuropsicología
Contents:
Part I Overture ; Chapter 1 Introduction ; Part II Multi-Disciplinary Perspectives ; Chapter 2 Emotions Expressed and Aroused by Music ; Chapter 3 Emotion in Culture and History ; Chapter 4 At the Interface Between the Inner and Outer World ; Chapter 5 Towards a Neurobiology of Musical Emotions ; Chapter 6 Exploring the Habitus of Listening ; Chapter 7 Emotion as Social Emergence ; Part III Measurement ; Chapter 8 Self-Report Measures and Models ; Chapter 9 Continuous Self-Report Methods ; Chapter 10 Indirect Perceptual, Cognitive, and Behavioural Measures ; Chapter 11 Psychophysiological Measures ; Chapter 12 Functional Neuroimaging ; Part IV Music Making ; Chapter 13 Emotion and Composition in Classical Music ; Chapter 14 The Role of Structure in the Musical Expression of Emotions ; Chapter 15 Emotion and Motivation in the Lives of Performers ; Chapter 16 The Role of Negative Emotions in Performance Anxiety ; Chapter 17 Expression And Communication of Emotion in Music Performance ; Part V Music Listening ; Chapter 18 Music in Everyday Life ; Chapter 19 Experimental Aesthetics and Liking for Music ; Chapter 20 Strong Experiences with Music ; Chapter 21 Musical Expectancy and Thrills ; Chapter 22 How Does Music Evoke Emotions? ; Part VI Development, Personality, and Social Factors ; Chapter 23 Perspectives on Music and Affect in the Early Years ; Chapter 24 Preference, Personality, and Emotion ; Chapter 25 The Influence of Affect on Music Choice ; Chapter 26 Politics, Mediation, Social Context, and Public Use ; Chapter 27 Cross-Cultural Similarities and Differences ; Part VII Applications ; Chapter 28 Music Education ; Chapter 29 Music Therapy ; Chapter 30 Music, Health, and Well-Being ; Chapter 31 Music as a Source of Emotion in Film ; Chapter 32 Music and Marketing ; Part VIII Encore ; Chapter 33 The Past, Present, and Future of Music and Emotion Research.
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Libro Libro Biblioteca Universidad Europea del Atlántico
Fondo General
No ficción 781.1 HAN Available 3452

Educación Musical, Plástica y Visual I (esp/eng)


Bibliografía al final de cada capítulo

Part I Overture ; Chapter 1 Introduction ; Part II Multi-Disciplinary Perspectives ; Chapter 2 Emotions Expressed and Aroused by Music ; Chapter 3 Emotion in Culture and History ; Chapter 4 At the Interface Between the Inner and Outer World ; Chapter 5 Towards a Neurobiology of Musical Emotions ; Chapter 6 Exploring the Habitus of Listening ; Chapter 7 Emotion as Social Emergence ; Part III Measurement ; Chapter 8 Self-Report Measures and Models ; Chapter 9 Continuous Self-Report Methods ; Chapter 10 Indirect Perceptual, Cognitive, and Behavioural Measures ; Chapter 11 Psychophysiological Measures ; Chapter 12 Functional Neuroimaging ; Part IV Music Making ; Chapter 13 Emotion and Composition in Classical Music ; Chapter 14 The Role of Structure in the Musical Expression of Emotions ; Chapter 15 Emotion and Motivation in the Lives of Performers ; Chapter 16 The Role of Negative Emotions in Performance Anxiety ; Chapter 17 Expression And Communication of Emotion in Music Performance ; Part V Music Listening ; Chapter 18 Music in Everyday Life ; Chapter 19 Experimental Aesthetics and Liking for Music ; Chapter 20 Strong Experiences with Music ; Chapter 21 Musical Expectancy and Thrills ; Chapter 22 How Does Music Evoke Emotions? ; Part VI Development, Personality, and Social Factors ; Chapter 23 Perspectives on Music and Affect in the Early Years ; Chapter 24 Preference, Personality, and Emotion ; Chapter 25 The Influence of Affect on Music Choice ; Chapter 26 Politics, Mediation, Social Context, and Public Use ; Chapter 27 Cross-Cultural Similarities and Differences ; Part VII Applications ; Chapter 28 Music Education ; Chapter 29 Music Therapy ; Chapter 30 Music, Health, and Well-Being ; Chapter 31 Music as a Source of Emotion in Film ; Chapter 32 Music and Marketing ; Part VIII Encore ; Chapter 33 The Past, Present, and Future of Music and Emotion Research.

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