Beyond continuity : script supervision for the modern filmmaker / Mary Cybulski [Texto impreso]
By: Cybulski, Mary
Original language: English Publisher: Burlington, MA : Focal press, 2014Description: XXVI, 256 p. ; 23 cmISBN: 978-0-240-81489-6Subject(s): Cine -- Producción y dirección| Item type | Current location | Collection | Call number | Status | Date due | Barcode | Course reserves |
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Libro
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Biblioteca Universidad Europea del Atlántico Fondo General | No ficción | 791.6 CYB bey | Available | 3348 |
PART 1 INTRODUCTION ; What's so great about being a script supervisor? ; What does a script supervisor do? ; Basis script supervising skills ; PART 2 GETTING STARTED ; Building script supervisor skills ; How to get a job ; Meeting the director ; You have the job. Now what? PART 3 PREPRODUCTION: BREAKING DOWN THE SCRIPT ; Overview ; Defining the scenes ; Page/Time/Scene tally ; Master breakdown ; Time breakdowns ; Special Creakdowns ; PART 4. PREPRODUCITION:NON-BREAKDOWN PREPRODUCTION ; Rehearsals ; Rewrites; Tech Scouts ; The Production meeting ; Getting physically rady for the shoot ; What´s in your kit ; PART 5 PRODUCTION OVERVIEW ; Instroduction, three kinds of notes ; Noted used everday, on every movie ; Notes used on some days or some movies ; On-set matching notes ; Slating ; PART 6 PRODUCTION OVERVIEW MAINTAINING CONTINUITY ; Why we need continutity ; Two kinds of continuity ; What to match ; Thinking like and editor ; Variatons in continuity style ; Cheating, when what´s wrong is right ; PART 7 THE LANGUAGE AND GRAMMAR OF FILMMAKING ; How to think about fil grammar ; What´s in the film grammar toolkit ; Screen direction, the 180 line ; Maintaining screen direction in motion ; Unusual matching situations ; When actors move the line ; When the camera moves the line ; The power of jumping the line ; Why the 180 line is elusive ; Cutting on camera movement ; Composition ; Three dimensions ; Working with coverage ; PART 8 A DAY ON SET The call sheet ; Arriving ; Setting upo for the day ; Blocking Lighting the set ; Rehearsal ; Rolling film ; Salting ; Notating time code ; Timing the take ; First shot of the morning ; Notes for echa take ; circled takes ; Lens information ; Continuity photos ; Drawing set-up frames ; Whtat to look at ; Not matching well ; Delivering off-camera dialog ; Moving on to the next set-up ; Moving on to the next scene ; Lunch ; Throughout the day ; Wrap ; the end ot the job ; PART 9 THE BIG PICTURE ; Actors are angels ; Pick your porject; follow your leader ; The girl thing.